Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Thursday, July 29, 2010

Summer Reading and Quickie Reviews

Round One - Done and Done

Bolaño, Roberto. Monsieur Pain - Didn't rock my world like Bolaño usually does. But a fun read, with good surprises.

Perec, Georges. A Void - A novel written in French without the letter E, translated to English without the letter E. Recommended only if the idea of a novel without Es really excites you. I was all wound up about the idea of it, but found the book tedious after the first few chapters. Still, the E-less re-working of Poe's "The Raven" made it all worthwhile.

Richards, D. J. Zamyatin; A Soviet heretic - This was a mistake. I meant to get the book called A Soviet Heretic by Zamyatin. This was a slim little book about Zamyatin - very meh.

Hrabal, Bohumil. Closely Watched Trains - Good. Love me some Hrabal. Now I need to track down the film.

Larsson, Stieg. The Girl Who Kicked the Hornet's Nest - Because a girl's gotta read something on the airplane.

Markson, David. The Last Novel - Still thinking this one over.



Round Two - Aaaand GO!

Nabokov, Vladimir. The Original of Laura

McCann, Colum. Let the Great World Spin

Zamyatin, Yevgeny. A Soviet Heretic

Various. Soviet Short Stories

And I'm still waiting for a haiku collection.

Tuesday, April 7, 2009

Recommended Reading: The Chase, by Alejo Carpentier

The Chase is the story of a fugitive, a member of Cuba’s communist party who is running for his life. He takes refuge in a concert hall where Beethoven’s Eroica Symphony is being performed, and he arrives just in time for the second movement: a funeral march.

Originally published in 1956, before the beginning of the Cuban Revolution, The Chase is a tale of disillusionment with a corrupt left-wing movement, which has become as brutal as the government it seeks to overthrow. It is no accident that Carpentier opens the novel against the backdrop of the Eroica (or “Heroic”) Symphony. This particular piece of music had been inspired by Napoleon Bonaparte and the ideals of the French Revolution, and the symphony’s original title was Buonaparte. However, after Napoleon was declared Emperor of France, Beethoven changed the symphony’s name in disgust. The Chase explores the brutality that accompanies the struggle for power, and the betrayal of the ideals for which the revolutionaries fought. As the plot unfolds, from the points of view of the fugitive and the ticket seller at the concert hall, we learn the extent to which the revolutionaries of the story have lost faith in their cause.

Carpentier renders sensory information in crystalline detail. In the Havana concert hall where the story begins, a rainstorm has forced the crowd indoors. “The moist scents of green poplars and watered lawns” transport the reader to that hot Caribbean night, and we can almost feel the sweat rolling down a woman’s soft back, which looks “as though it were being pressed by a thumb at each shoulder blade.” The sights, sounds, and smells of the concert hall and the city are clear and vivid. On the other hand, the fugitive’s voice is emotional and visceral. His hunger, his dirty clothes, and his terror are presented in a raw onslaught of information.